{"id":15045,"date":"2025-02-28T15:49:40","date_gmt":"2025-02-28T14:49:40","guid":{"rendered":"https:\/\/ceeanimation.eu\/?post_type=news&p=15045"},"modified":"2025-02-28T15:56:36","modified_gmt":"2025-02-28T14:56:36","slug":"cee-animation-workshop-presents-the-2025-selection","status":"publish","type":"news","link":"https:\/\/ceeanimation.eu\/news\/cee-animation-workshop-presents-the-2025-selection\/","title":{"rendered":"CEE Animation Workshop Presents The 2025 Selection"},"content":{"rendered":"\n\n
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CEE Animation Workshop is excited to announce its selection for 2025. 12 projects and 27 participants from 10 European countries have been carefully selected from 38 applications from 21 countries.

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Among the 12 selected animated projects are five series<\/strong>, four<\/strong> feature films <\/strong>and three short films<\/strong>. The programme once again welcomes projects and participants from across Europe, while maintaining focus on the CEE region and low-production-capacity countries<\/strong>. This year\u2019s line-up also includes two career-oriented participants joining the programme without projects as well as one scholarship-winning project from CEE Animation Forum 2024.<\/p>\n

\u201cWe are excited to start the magical seventh edition of the workshop with a group of interesting projects and motivated participants from all over Europe. This year will be really special, as we are bringing many highlights! Firstly, we are proudly welcoming new group leaders, accomplished producers Annemie Degryse<\/strong> and Reka Temple<\/strong>, and we are starting the first module in Nova Gorica – Gorizia, the European Capital of Culture 2025<\/strong>. We are also looking forward to visiting \u0141\u00f3d\u017a for our summer module and\u00a0 attending the CEE Animation Forum 2025 in November as a really nice closure to this edition. We are counting on a busy and inspiring year!\u201d says Sa\u0161a Bach<\/strong>, the Managing director.<\/p>\n<\/div>\n\n\n\n

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The 7th edition of the CEE Animation Workshop will take place from March to October 2025<\/strong> and will consist of four one-week modules; two modules will be held online (in May and October) and two modules will be organised on-site: March 10-16 in Nova Gorica \/ Gorizia (Slovenia \/ Italy) and July 28 to August 3 in \u0141\u00f3d\u017a, Poland.<\/p>\n

Script consultants Phil Parker<\/strong> (UK) and Rita Domonyi <\/strong>(Hungary) will be joined in 2025 by two new group leaders, producers R\u00e9ka Temple<\/strong> (Cinemon Entertainment, Hungary) and Annemie Degryse <\/strong>(Lumiere Group \/ Beast Studio, Belgium), bringing their wealth of experience and expertise to guide participants during their year-long training.<\/p>\n

The CEE Animation Workshop embarks on its seventh edition with a programme built on the strong foundations from previous successful training sessions. Tailored to meet the specific needs of animation professionals, it will follow the selected projects from their early stages to the final developed production package, ready to access the market.<\/p>\n

Through a combination of group work, personalised sessions and lectures, participants will receive invaluable feedback and opportunities to enhance their understanding of the animation industry, gain advanced skills needed to be competitive on the market and further grow their careers.<\/p>\n<\/div>\n\n\n\n\n

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Selected animated projects<\/h2>\n<\/div>\n\n\n\n
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Selected animated projects<\/u><\/strong><\/p>\n

Breadcrumbs in the Snowfield<\/u><\/strong><\/a>
\nd & s. Skirmanta Jakaite
\np. Agne Adomene, Art Shot, Lithuania
\nFeature film<\/p>\n

English Lessons<\/u><\/strong><\/a>
\n<\/u>s. & d. Ivan Tymchenko
\n<\/u>p. Svetlana Solovieva, Svitlofor, Ukraine
\nFeature film<\/p>\n

Human Negligence<\/u><\/strong><\/a>
\n<\/u>s. & d. Irini Vianeli
\n<\/u>p. Danae Spathara, Heretic, Greece
\nFeature film<\/p>\n

Until Death Do Us Part<\/u><\/strong><\/a>
\nd. Natalia Krawczuk
\ns. Nawojka Wierzbowska
\np. Zuzanna Maszka, GS Animation, Poland
\nFeature film<\/p>\n

Goodbye Closet<\/u><\/strong><\/a>
\n<\/u>d. & s. Zohar Dvir
\n<\/u>p. Fabian Driehorst, Fabian&Fred, Germany
\nTV Series<\/p>\n

Natural Selection<\/u><\/strong><\/a>
\n<\/u>d. & s. Irida Zhonka
\n<\/u>p. Isavella Aloupudi, Neda Film, Greece
\nTV series<\/p>\n

Scope of the Universe<\/u><\/strong><\/a>
\n<\/u>d. Anja Manou Hellem
\np. Lillian L\u00f8veseth, L\u00d8V Film, Norway
\nTV series<\/p>\n

The White Deer<\/u><\/strong><\/a>
\n<\/u>s. & d. Lucija Bu\u017ean\u010di\u0107
\n<\/u>p. Jure Bu\u0161i\u0107, Jaka Produkcija, Croatia
\nTV series<\/p>\n

Ucipuci<\/u><\/strong><\/a>
\n<\/u>s. Zane Zusta
\n<\/u>p. Kristele Pudane, Sunday Rebel Films, Latvia
\nTV series<\/p>\n

Cherry Pierogi<\/u><\/strong><\/a>
\ns. & d. Olha Havrylova
\np. Mykyta Moiseiev, Eleron Pictures, Ukraine
\nShort film<\/p>\n

The Last Bookstore in the World<\/u><\/strong><\/a>
\n<\/u>s. Katarina Keti Zaharijev
\n<\/u>p. Sanja Maljkovi\u0107, Le Studio, Serbia
\nShort film<\/p>\n

The Phonebook<\/u><\/strong><\/a>
\n<\/u>s. & d. Nina Chubinishvili
\n<\/u>p. Irina Gelashvili, Radium Films, Georgia
\nShort film<\/p>\n<\/div>\n\n\n\n

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